Final Investigation
Unless you're outside the change in the environment is subtle, a spike of electricity in the air that lasts only for a moment. And if you're outside, well, it's hard to miss the blossoms of the sakura tree as they fall in a flurry. It's rather beautiful, if not somewhat disturbing; sometime in the past few hours, they've changed color from a cheerful pink to a blood red.
Regardless of whether you see that as an omen or not, you'll hear what comes next through your pendants:
Third floor, there is little time left.
The Teishu's words are clipped and urgent, so you probably shouldn't tarry.
What awaits you when you climb the stairs are three new corridors and one ornate, black, wooden door directly opposite the solar. There's a keyhole here so you don't need to worry about trying to force it down (and you still have that key don't you?) but it would be wise to explore the rest of rooms first.
Best to be prepared and all.
Explore?
Regardless of whether you see that as an omen or not, you'll hear what comes next through your pendants:
Third floor, there is little time left.
The Teishu's words are clipped and urgent, so you probably shouldn't tarry.
What awaits you when you climb the stairs are three new corridors and one ornate, black, wooden door directly opposite the solar. There's a keyhole here so you don't need to worry about trying to force it down (and you still have that key don't you?) but it would be wise to explore the rest of rooms first.
Best to be prepared and all.
Explore?
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If it's locked, it must be important.
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[ She'll start patting the surface of the door, herself. Any secret locks or panels? ]
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It would be troublesome if we can't pick the lock or otherwise bypass the need for force.
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Currently, any attempts to pry the door physically open by brute force are fruitless endeavors.
Hmmm... ]
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So this is it...Zaberisk-san, Hanyuu-chan, maybe it's for the better you step back. We don't know what may be waiting on the other side.
[Well, he hopes it's nothing. He takes out of his pocket a black glove, and from the inside of the glove he obtains a gemstone. He mutters to himself:]
I'll have to apologize to Yuizaki-chan later...
[Sorry for fooling you, Hiyono! Kizakura inserts the gemstone in the indentation and steps back, and says as clearly as he can:]
暮雲/ぼうん
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[He joins Hanyuu in stepping back, a knife in hand to throw]
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There are a few obvious elements that these three can take in from the room, where they're standing.
The room is rather spacious-even with all the items and furniture collected extensively within. There are two brown desks, one with a stack of books, and another that's more sparse, containing only a typewriter, a calligraphy pen and a single, blank and white piece of paper. On a counter to the far back of the desks, there are three globes in total. They seem to be all of the same world, but the landmasses and country names are depicted differently on each globe. It is as if they are showing the same world at three different points in time.
The windows are decorated with a bit of gold on the window sills and are absent of any curtains. The consequence of this simply means that the view of the environment -- or rather, the sky -- is ostensibly visible. There are swirling dark clouds along with patches of regular grey clouds hanging around, though if one stares outside of the window too long one of them may catch a flash of red eyes that appears with a blink of an eye and disappears as quickly as they came.
There's obviously more to this room, but they will have to come into the room proper in order to see it in its entirety. It is also recommended that they proceed to investigate rather... thoroughly. ]
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[There seems to be a lot of options, at least. Kizakura steps forward, looking around and kinda expecting to see traps. The desks immediately get his attention, he'd be inclined to checking that part if entering to the room is safe[
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Upon further entry into the room, Kizakura will take notice of no traps. Also, since he'd be able to see the rest of everything once stepping more into it, he'd be able to take note of the fact that on the wall facing the left of the desks are a numerous amount of still, large gears that appear rather useless for the most part, as they're not providing momentum for a mechanism of any sort. To the front wall that is north of the desks, there is a projector in which the country of Japan is shown upon it in highlighted yellow, with surrounding blue which seem to be the ocean around it.
There are a few potted plants in the room, and to the right of the desks, there is a wall that has a large bookcase extending all across it.
As a further note, everyone in the room would also be privy to this once they stepped forward after Kizakura.
When Kizakura checks out the desks, he may be drawn to the one with the books upon them. Would he like to look through the books? ]
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Hmm...that seems probably notable. Though, there are a few books still left for him to look through. ]
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Hanyuu-chan, Zaberisk-san, there are names of swords here. These may be worth remembering.
[He recites the names of the swords. Better for three people to have the info than just him.
He puts the book aside, mulling if he should take it to the trial, and keeps checking the books]
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Hmm... strange. Well, and with that book-reading, there's just one final book for Kizakura to look through here. ]
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The Five Great Swords...? [ ... ] Ah, t-that's right, the Munechika blade is one of those!
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And actually, while she's looking at the globes there, she might find a note that seems to have carelessly left out on the counter. ]
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Alrighty, what's up with the note? ]
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Let's see what our friend enjoys
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Good thinking on the drawers, Georik! The first one he opens will reveal a small black box in the first drawer. Open it up? ]
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Curious...
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